Cite, Site, Sights

Dispatches on Latin American art and culture

July 21, 2017

Female Eyes on South America: Maria Graham

Traveling in Chile and Brazil in the early nineteenth century, Maria Graham distinguished herself as a naturalist, diarist, and artist, bringing her first-hand visual and verbal accounts of her journeys to a fascinated audience back home in England. Art historian Katherine Manthorne provides an overview of Graham's remarkable accomplishments.

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June 28, 2017

Viceregal Art from a Cosmopolitan Hub

In this third installment, Dennis Carr, the Carolyn and Peter Lynch Curator of Decorative Arts and Sculpture at Boston’s Museum of Fine Arts, speaks about how the CPPC’s gift of colonial works from Venezuela will be contextualized within the 53 galleries of the Museum's celebrated Art of the Americas Wing.

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June 22, 2017

Private Devotions, Public Pleasures

Viceregal Art in the Colección Patricia Phelps de Cisneros

In this second installment in a series, Rosario Granados, the Carl & Marilynn Thoma Associate Curator of Spanish Colonial Art at the Blanton Museum of Art, writes about how the CPPC’s gift of colonial objects that were made to be used in acts of private devotion coincides with an important long-term loan...

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May 11, 2017

Trans-American Landscape Art

Colección Patricia Phelps de Cisneros & Olana in dialogue in the exhibition OVERLOOK

Traveler artists who worked in Latin America in the 17th to 19th centuries are often thought of as belonging to discrete national schools. Art historian Katherine Manthorne discusses the ways in which their work in fact occupies a more expansive and fluid internationality.

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April 4, 2017

Gray Works

A Document and Meditation

Sandra Pinardi identifies “gray works” as works of art situated on a borderland that blurs the line between poetry and document, theory and aesthetic expression, and the subjective personal gesture and objective scientific research. Through selected examples from contemporary art, Pinardi elaborates upon the complexity and multivalence of “gray works” and their interconnections...

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November 2, 2016

Acquiring, Archiving, and Activating: Part 2

A look at how archival collections of Latin American art are activated in fourteen different institutions

In a two part investigation, Laura Braverman looks at a sample of fourteen public and private research institutes focused on Latin American art, and the ways in which they support and shape ongoing scholarship in the field.

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October 28, 2016

Phallocentric Specters

Notes on the (Absent) Female Presence in CCS-10

Among the notable attributes of the groundbreaking 1993 exhibition CCS-10: Current Venezuelan Art was its complete absence of female artists. Aixa Sánchez looks back on the era, the show’s impact, and the ways in which the show Paralelo 11, mounted the same year with all women artists, filled that and other gaps, and she muses on possible other inclusions from the vantage of retrospection.

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October 17, 2016

Acquiring, Archiving, and Activating: Part 1

A look at how archival collections of Latin American art are activated in fourteen different institutions

In a two part investigation, Laura Braverman looks at a sample of fourteen public and private research institutes focused on Latin American art, and the ways in which they support and shape ongoing scholarship in the field.

Read Article

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