The last day to apply for the 2021 Y.ES Curators Grant is April 20, 2021! The grant aims to support and cultivate curatorial practice by Salvadorans and is open to curators of Salvadoran affiliation based anywhere in the world. More

Compiling the many questions that emerge from the project “Worldmaking Practices: A Take on the Future,” this text is a proposal to plot connections between the diverse provocations assembled in the debate. Moreover, it is an invitation for us to become time travelers, nomads who shoulder many worlds. More

This interview between Venezuelan artist Ángela Bonadies and Chilean artist Paz Errázuriz is the sixth of a series conducted by Bonadies. Her conversations with Latin American visual artists and filmmakers continue the CPPC's tradition of preserving first-hand cultural testimony. More

"Notes for a Horizon-tality: Toward the Possibility of Becoming Together as an Assemblage" is an editorial project that responds to our multiple and seemingly multiplying emergencies More

The following text is an excerpt from the book "Jaime Davidovich in conversation with Daniel R Quiles," published by Fundación Cisneros/Colección Patricia Phelps de Cisneros in 2017. More

Born in Venezuela in 1923, Cruz-Diez traveled in Western Europe throughout the 1950s, absorbing Bauhaus color theory and trends in geometric abstraction. He returned to Venezuela in 1957 to help initiate a massive wave of experimentation in Abstract, Concrete, Op and Kinetic art. More

One of the questions we are most often asked at the CPPC is about where the collection may be seen. Now you can see the location of our artworks on the interactive map we’ve developed to help you follow the collection as it travels the globe! More