Notes on the (Absent) Female Presence in CCS-10
Among the notable attributes of the groundbreaking 1993 exhibition CCS-10: Current Venezuelan Art was its complete absence of female artists. Aixa Sánchez looks back on the era, the show’s impact, and the ways in which the show Paralelo 11, mounted the same year with all women artists, filled that and other gaps, and she muses on possible other inclusions from the vantage of retrospection.
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